War Games
Alan Gratz
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by Alan Gratz
Three gripping refugee journeys, from Nazi Germany, 1990s Cuba and modern Syria, told in fast, cliffhanger chapters that make displacement personal for young readers.
Refugee follows three children in three different eras, each forced to leave home. Josef is a Jewish boy in 1930s Germany whose family boards a ship bound for Cuba. Isabel is a Cuban girl in 1994 who sets out for Florida on a homemade raft with her family and neighbors. Mahmoud is a Syrian boy in 2015 whose family flees the war in Aleppo and tries to reach Europe. Their stories alternate chapter by chapter, and threads between them gradually emerge.
Gratz writes for middle-grade readers, roughly ages nine to fourteen, but the book does not soften much. The children face hunger, violence, bureaucratic cruelty, and the indifference of people who could help but won't. The prose is plain and quick, and nearly every chapter ends on a tense moment before switching to another character. The result is very hard to put down, which is part of why the book became a classroom staple.
Reading it feels less like a history lesson than a survival thriller with real history underneath. Each narrative is grounded in actual events, and an author's note explains what was real and what was invented. Adults reading alongside kids often find it opens conversations about immigration, empathy, and how past crises echo in present ones. Expect some heavy moments: not every character makes it through unharmed.
By placing a 1930s Jewish family, a 1990s Cuban family and a 2010s Syrian family side by side, the novel shows that the experience of fleeing home, being turned away and depending on strangers is not tied to one time or place. The parallels invite readers to see current events through the lens of past ones, and past ones through present ones.
Each protagonist has to take on adult responsibilities as parents falter under trauma, fear or exhaustion. Gratz focuses on how these kids make difficult decisions, protect younger siblings and find courage they didn't know they had. This gives young readers a protagonist their own age facing choices no child should have to make.
A recurring tension, especially in Mahmoud's story, is whether it is safer to keep your head down or to make people notice you. The novel explores how invisibility can protect refugees but also lets the world ignore them, and how being seen can be both dangerous and the only way to get help.
Short chapters rotate among the three narrators, usually breaking at moments of peril. This keeps momentum high for reluctant readers and creates echoes between storylines, such as similar dangers at sea. The structure also builds toward the connections between the three families, which pay off near the end without needing to be guessed early.
The constant cliffhangers can feel manipulative or exhausting, and the relentless string of disasters leaves little room for quieter character development. Some readers find the characters fairly simple and the final connections between the storylines a bit too neat or coincidental. Because each history is compressed into a third of a short book, nuance is lost, especially about the politics behind each crisis. Several scenes involving death are intense for the younger end of its audience. Adult readers may find the writing straightforward rather than memorable.
Reviews from readers on YouTube. Their opinions are their own.
Book details and cover from Google Books.
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