Kin: Oprah's Book Club
Tayari Jones
Recommended for fans of Fiction
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by C.J. Box
A Joe Pickett novel that sidelines its hero and hands the investigation to his three grown daughters, giving longtime fans a fresh angle on Twelve Sleep County.
The Crossroads is a recent entry in C.J. Box's long-running series about Wyoming game warden Joe Pickett. This time the usual setup is flipped: Joe is out of action from the start, found gravely wounded in his truck at a remote junction where three ranch roads meet. Each road belongs to a family with reasons to resent him, and because Joe kept his plans to himself, nobody knows which one he was visiting.
While Marybeth stays at the hospital, the Pickett daughters (Sheridan, April, and Lucy), whom readers have watched grow up across the series, each take one family and start digging. That structure gives the book three parallel threads, three suspect households, and a chance for characters who are usually supporting players to carry the story. It reads as part mystery, part family drama, with Box's familiar rural Western backdrop of ranch politics, small-town law enforcement, and wide empty country.
Expect the series' trademarks: short chapters, plain and brisk prose, and steady forward momentum rather than literary flourish. Based on the premise, the tension comes less from big action set pieces and more from figuring out which family is lying and whether the daughters are walking into danger themselves. It is best enjoyed by readers who already care about the Picketts, since much of the emotional weight depends on years of shared history.
With Joe sidelined, Sheridan, April, and Lucy drive the investigation. Each has a distinct temperament built up over earlier books, and splitting them across three suspect families lets the novel compare how they think, take risks, and handle hostility. For longtime readers, it works almost like a passing of the torch, or at least a test of whether the next generation can carry the series.
The crossroads premise creates a tidy puzzle: three roads, three families, one shooter. That borrows the logic of a classic whodunit with a limited suspect pool and transplants it to sprawling Wyoming ranch country, where distance, isolation, and local loyalties make getting straight answers difficult.
Each family has a grudge against Joe, which reflects a running theme in the series: enforcing the rules fairly in a small community makes enemies. The book looks at how ordinary conflicts over land, hunting, and authority can curdle into something dangerous when people feel cornered.
Marybeth's vigil and the daughters' investigation turn the story into a portrait of a family responding to crisis. The fear of losing Joe gives the plot an emotional undercurrent that more procedural entries in the series sometimes lack.
This is deep into a long series, and its payoff leans on familiarity with the Pickett family; newcomers will miss much of the emotional context. Readers who come to Box for Joe's own fieldwork, or for his partnership with falconer Nate Romanowski, may find the shifted focus less satisfying. Box's style is functional rather than lyrical, and some readers find the series' characterization and villains broadly drawn. As with many late-series thrillers, it may feel more like a comfortable return visit than a reinvention.
Book details and cover from Google Books.
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