If He Had Been with Me
Laura Nowlin
Both books explore Young Adult Fiction
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by Jeff Zentner
A funny, tender, often raw novel about three misfit friends in a small Tennessee town, and about who they become when the place they grew up doesn't fit them.
The Serpent King follows Dill Early, a senior in Forrestville, Tennessee, a town where church life and high school social rules shape nearly everything. Dill's father is a preacher whose faith is loud and literal, and Dill has spent years learning to keep his own interests quiet. He and his two closest friends, Travis and Anthony, are misfits in a place that rewards conformity, and the book stays close to what that costs them.
Zentner writes in Dill's first-person voice. It is conversational, dryly funny, and open about pain. Scenes of school, friendship, and music-making sit alongside heavier material like family strain, depression, and the question of what a young person owes the place they come from. The pacing is steady rather than plot-driven, so much of the experience is watching three friends talk, argue, and try to imagine lives beyond the town limits.
Reading it feels intimate and sometimes raw. It asks you to spend time with characters who are not doing well and who do not get tidy answers, and it works best if you care more about the people than about what happens next.
The novel shows how a close-knit community can offer warmth and also punish anyone who sits outside its expectations. Dill and his friends are not rebelling in any dramatic way; they simply don't match the town's script, and the book examines how quietly that mismatch can wear a person down.
Dill's religious upbringing is something he has absorbed without fully choosing. The book looks at how parental belief can feel like both a home and a cage, and how a teenager tries to separate love for a parent from agreement with everything that parent demands.
Much of the emotional weight rests on the three friends, who depend on each other for humor, honesty, and rescue. Their conversations do a lot of the work, and the book suggests that finding even one person who sees you clearly can change how survivable a hard place feels.
Mental health runs through the story in a way that is serious without being clinical. Zentner gives attention to how difficult feelings get hidden in families and communities that prefer not to name them, and to what it takes for a young person to say something out loud.
Music and other artistic pursuits give the characters a sense of identity that the town does not supply. The book treats making things as serious and personal, not as a hobby to outgrow, and uses that drive to show what the characters are hoping to become.
Some readers find the pacing slow, especially in the middle, because the story leans on conversation and mood more than events. The depiction of religion is mostly seen through one teenager's skeptical eyes, so readers looking for a balanced portrait of faith communities may feel it is one-sided. Some dark material is handled directly and may be heavy for younger readers. Published in 2016, it reflects the YA conventions of its time, and the setting's cultural details are specific to a particular region rather than broadly representative of rural America.
Book details and cover from Google Books.
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Laura Nowlin
Both books explore Young Adult Fiction
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