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by Deb Caletti
A quiet, tender road-trip novel about a teen and her father learning to live after loss, with a gentle summer romance that never drowns out the grief.
Deb Caletti's The Last Forever follows Tessa, a teenager whose mother has recently died. Her father is barely functioning, her friends and boyfriend feel far away, and home no longer feels like home. When her dad abruptly packs them into the car for a road trip, they end up in the small coastal town where Tessa's grandmother lives. The place is lovely, which only makes Tessa feel more out of step. There she meets Henry Lark, a boy who seems to understand her. A secret complicates things between them.
This is not a plot-driven book. Caletti spends most of her pages inside Tessa's head, tracing the odd, sideways ways grief shows up: irritation at people who mean well, guilt over moments of happiness, the strain of living with a parent who is grieving differently. The father-daughter relationship is as central as the romance, and arguably more memorable. The small town, with its eccentric locals and seaside atmosphere, gives the story warmth without tipping into cuteness.
Reading it feels like a slow summer: reflective, sometimes sad, often funny in a dry way, and ultimately hopeful. Caletti's prose is lyrical and observant, with plenty of digressions into Tessa's thoughts about permanence and what lasts. Readers who want a tearjerker with a light touch, rather than a melodrama, will find it satisfying.
Tessa's mourning isn't presented as neat stages. She is angry, numb, funny, and guilty in turns, and Caletti lets those contradictions sit side by side. The book captures how loss seeps into ordinary things like meals, friendships, and texts, which makes it feel honest for readers who have lost someone and illuminating for those who haven't.
The heart of the novel is arguably Tessa's relationship with her dad. Each is grieving in a way the other finds hard to understand, and the impulsive road trip becomes a clumsy attempt to reconnect. Their scenes together are tense and tender, and the book treats the parent as a full, flawed person rather than background.
The title points to the book's central question: if everything ends, what is worth holding onto? Tessa keeps circling ideas of preservation and impermanence, and the story explores how memory, family, and love can endure in changed forms even when the people and places we rely on do not.
Henry Lark offers Tessa connection at a moment she badly needs it, but the romance doesn't magically fix her. It sits alongside her grief, and the secret between them adds tension. Readers looking for a swoony summer love story will get one, though it serves the larger emotional arc.
The coastal town, with its quirky residents and slower rhythm, works almost as a character. Its warmth contrasts with Tessa's inner chill, and Caletti uses the setting to show how new places can unsettle us and, gradually, give us room to breathe.
Some readers find the pace slow, especially in the first half, where Tessa's introspection dominates and little happens. The lyrical, digressive narration can feel meandering if you prefer tighter storytelling. The romance and the central secret struck some readers as predictable or convenient, and a few felt the love interest was idealized compared with the more complicated family relationships. The book is also squarely focused on one girl's emotional journey, so readers wanting broader social themes or a large cast will find it narrow.
Book details and cover from Google Books.
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