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Barbara O'Connor
Shares the Juvenile Fiction genre and themes
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by Reyna Grande
A clear-eyed middle grade look at what family separation by migration does to a child, told with humor and without easy villains.
The Distance Between Us is Reyna Grande's middle grade version of her memoir about growing up in a small town in Guerrero, Mexico, with her younger siblings and their grandmother while their parents worked in the United States. The adaptation keeps the core of that story: a child who keeps waiting for a father she has mostly known through absence, and a family trying to hold together across a border. It is written for younger readers, so the scenes are shorter and the language plainer than in the adult book, but the emotional stakes are not softened.
The narration is close and direct. Reyna is a sharp, observant narrator, and much of the book's warmth comes from her eye for small absurdities and family routines alongside the harder moments. The story moves through the years of waiting, the decision that finally sends her north, and the disorientation of arriving somewhere she does not yet speak the language. Grande writes about migration as something lived day to day: school, food, rules at home, and the slow work of belonging to two places at once.
Reading it feels less like following a plot than sitting with a family over a long stretch of time. Expect an unhurried pace and honesty about neglect, fear, and longing. It works well as a first encounter with immigration stories for young readers, and as a gentle entry point for adults who want to see how Grande's larger story began.
The book shows that for children, migration is less a dramatic border crossing than years of waiting for parents who are working to build a life abroad. Children are left with relatives, rules change, and promises get pushed back. Grande treats that waiting as the real shape of separation, which many readers may not have considered.
Reyna's relationship with her father is built from distance, stories from others, and her own hopes rather than daily contact. The book is honest about how hard it is to love someone you barely know, and how the image you carry of a parent can differ sharply from the person you meet.
Arriving in a new country means learning a language and a school culture while the family itself has changed. Grande shows that assimilation costs something, including the feeling of standing between two worlds and losing easy access to the first one.
Grande keeps a light, observant voice even when describing fear or hardship. The humor does not undercut the difficulty; it is part of how a child copes, and it helps the reader get through the heavier passages.
Because this is an adaptation for younger readers, much of the depth and detail of the adult memoir is compressed, and some events move quickly. Readers who know the original may miss its fuller reflections. Some readers find the story driven more by longing and waiting than by external plot, which can feel slow for children used to more propulsive books. The book also tells one family's experience from one child's vantage point, so it does not represent every migrant story, and it does not explore the policy debates around immigration in depth.
Book details and cover from Google Books.
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