Best Bunny Brother Ever
Marilyn Sadler
Recommended for fans of Juvenile Fiction
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A tender, heady YA romance about a shy girl finally getting her long-time crush, and then discovering that being loved is harder than wanting to be.
Isla Martin has quietly adored Josh Wasserstein, a sardonic artist and senator's son, for years at their American boarding school in Paris. A chance, slightly embarrassing meeting in a Manhattan café over the summer finally gets them talking, and when senior year starts back in France, the crush becomes a real relationship. The book follows what happens next: the giddy early days, and then the harder questions about college, family expectations, and whether Isla can believe she deserves someone she has idealized for so long.
This is the third book in Stephanie Perkins's loosely linked series after Anna and the French Kiss and Lola and the Boy Next Door. It stands on its own, but readers of the earlier books will recognize Josh from Anna's story and enjoy cameos from familiar couples. Perkins writes in Isla's first-person voice, which is warm, anxious, and very inward, so much of the drama happens inside her head rather than in big plot events.
Reading it feels like an indulgent, atmospheric escape: Parisian streets, sketchbooks, a side trip to Barcelona, and lots of swoony, slow-burn moments. It is also noticeably more grown-up than its predecessors, with a physical relationship handled frankly but not graphically. Expect a comfort read with real emotional bumps rather than high stakes or surprises.
Isla has built Josh up in her imagination for years, and the novel is interested in what happens when fantasy meets a real, flawed person. Getting together is not the finish line here; the more interesting tension comes after, as both characters adjust to knowing each other properly instead of from a distance.
There is no villain keeping the couple apart. Isla's biggest obstacle is her own sense of being ordinary next to Josh and her accomplished family. Perkins lets her be jealous, self-doubting, and sometimes unreasonable, which makes the book honest about how anxiety can sabotage happiness, even if some readers find her frustrating.
Senior year forces both characters to think about college, careers, and what they want apart from each other. Josh's art and his strained relationship with his political parents, plus Isla's uncertainty about her own path, give the romance a coming-of-age backbone about identity and choosing a life.
Like the earlier books, this one leans heavily on setting. Paris, New York, and Barcelona are rendered through small, sensory details such as cafés, rooftops, and streets, so the travel feels like part of the emotional texture rather than postcard decoration.
Perkins uses the book to tie together her connected world, bringing back characters from Anna and Lola. New readers lose little, but fans get a satisfying sense of closure and a final visit with couples they already care about.
Many readers consider this the weakest of the three books, mainly because Isla's insecurity and jealousy dominate the second half and can feel repetitive. The relationship moves quickly once it starts, and some find Josh less fully developed than the series' earlier love interests. The plot is thin compared with the atmosphere, and the conflict is largely internal. It is also more mature than its 'children's' shelving suggests, with sexual content that suits older teens. Representation and perspectives are fairly narrow, centered on affluent American students abroad.
Book details and cover from Google Books.
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