Falling for the Amish Rival
Virginia Wise
Shares the Fiction genre and themes
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A bawdy, warm ensemble comedy about two sisters and their friends in a divided small town after World War I, with a sharp eye for how people bend the rules.
Cakewalk is a comic, rowdy novel set as America comes out of World War I, when the country was loosening up and its small towns were still arguing about what respectable life should look like. Its setting sits on the line between North and South, which gives the local quarrels a built-in sense of divided loyalty. Much of the story is carried by the Hunsenmier sisters, Wheezie and Jutz, and the friends who orbit them.
Brown writes with a bold, bawdy, and quick voice. The book works less like a single tightly plotted line and more like a gallery of town life: gossip, flirtation, feuds, scrapes, and the small social rules people bend or break. Humor is the main tool, but it is not only comic. The book takes its characters' desires and disappointments seriously enough that the jokes land on real feeling. Expect a lot of dialogue, a large cast to keep track of, and an episodic rhythm.
Reading it feels like sitting in on a long, lively conversation with people who say exactly what they think. It is a pleasant book to dip into and rewards attention to who is who and how they are connected. Readers who want a careful historical portrait of 1919 will find the period texture present, but it serves mainly as backdrop for the characters' antics.
The novel's small community is never simply one thing. Its residents are caught between competing pulls, such as respectability and appetite, faith and pleasure, and old habits and new freedoms. Brown uses this tension to generate most of the comedy and much of the quiet pathos, so the town itself becomes a character with divided loyalties.
The bond between the Hunsenmier sisters anchors the book. Their rivalry, affection, and differing temperaments give the story its warmth. Much of what matters in the novel happens in the spaces between them and their friends, in talk, teasing, and loyalty tested by ordinary life.
Brown writes openly about desire, marriage, and reputation at a time when such subjects were often kept private in fiction. Her characters are candid and unembarrassed, and the book treats their appetites as normal human material. This frankness is part of what gives the novel its sense of rebellion.
Rather than one driving plot, the book moves through a sequence of interlocking scenes and subplots involving many townspeople. The reader gets a broad social panorama built from small incidents. This structure rewards patience and attention to recurring characters, and it lets Brown cover a lot of town life in a single book.
Period novels of this kind can carry the racial, class, and social attitudes of their setting, and readers should expect that frankness and judge it in context. The episodic structure and large cast can feel loose to readers who want tight plotting. Brown's broad comedy is not for everyone, and some readers find the tone uneven as it shifts between farce and more melancholy material. The book is also less concerned with historical detail than with personality.
Book details and cover from Google Books.
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